Under the bold presentation, the game is a competent but ordinary third-person military shooter. The vivid backdrop of a Dubai that has become one of the world’s dark places is the biggest thing that Spec Ops has going for it. But once their boots are on the ground, the small military unit must do unspeakable things to survive as they hunt for Konrad and his lost 33rd squadron. Player character Captain Walker and his elite US Delta Force team are sent to find Colonel Konrad and his rogue soldiers in the city. A few thousand remaining survivors that are left in the evacuated city hang onto life by a thin thread. The catastrophe has turned Dubai into a vortex of sand and madness.
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Spec Ops unfolds in a Dubai swallowed by the surrounding desert following a series of cataclysmic dust storms. Other obvious cinematic touch points are Iraq conflict flicks Three Kings and Jarhead. It’s a visionary setting for Yager Development’s Spec Ops: The Line, a dark cinematic shooter that takes its inspiration from Joseph Conrad’s Heart of Darkness and Francis Ford Coppola’s Apocalypse Now. Fast-forwarded from the “18th century to the 21st in a single generation”, it is a city that stands defiant against the arid wasteland that surrounds it. Willed into existence in one of the world’s most barren places, the gleaming towers of Dubai are a monument to the triumphs of the age and perhaps to its hubris.
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